To Boldly Go: Trollheart's Star Trek Thread

Title: “Fascination”

Series: DS9

Season: Three

Writer(s): Ira Steven Behr/ James Crocker and Philip Lazebnik

Main character(s): Lwaxxana Troi

Plot: Oh god! There is none. Deanna’s mother is in heat due to something called Zanthi fever and her telepathic powers allow her to unconsciously transfer her feelings to anyone within range so that everyone starts hitting on everyone else. That’s it. Honestly.

Jesus Christ in a platinum-lined bucket covered in velvet! This has to rank as one of the worst episodes, not only of Deep Space 9, but of Star Trek in general. It’s just garbage; no, that’s being unfair to garbage. How this got to the editing room is beyond me. There’s not even a subplot. Everyone just starts falling in love with anyone they see, leading to some — ho ho ho — hilarious situations when old friends profess love for each other and boyfriends desert girl — look, I can’t go on. It’s fucking awful. How this took three writers is a mystery: a dead rock could have come up with a better storyline. It’s worse than Benny Hill meets Star Trek. Just dire. And to top it all off, Lwaxanna gets to lord it over everyone for the entire fucking episode! God I hate that woman! Never EVER EVER watch! You have been warned!

Rating: (and that’s only because I can’t give it a higher rating!)

Title: “Masks”

Series: TNG

Season: Seven

Writer(s): Joe Menosky

Main character(s): Data

Plot: The Enterprise comes across a comet in which is an ancient temple (no, really!) and thereafter for some reason Data takes on multiple personalities while the ship begins to be transformed into a jungle???

It’s ludicrous. How in the name of the good god Fck Almighty can anything — never mind a bloody temple! — exist at the heart of a comet? But even putting that to one side, why suddenly do all these so-called gods start invading Data’s program and trying to play out their lives through him? It makes no sense. It’s also a completely stupid and cack-handed resolution at the end. Being a season seven episode it doesn’t get a pass; at this point, though they may have been running out of ideas, there is no excuse for this claptrap. The only possible good thing about this is that it gives Brent Spiner a chance to shine, portraying all the different characters and he does this very well. But even his phenomenal acting can’t save this from the lowest (or highest, if you prefer, higher being worse) Wesley rating.

Rating:

Title: “Angel One”

Series: TNG

Season: One

Writer(s): Patrick Barry

Main character(s): Riker, Data, Crusher

Plot: Attempting perhaps to reverse twenty-odd years of Gene Roddenberry’s thinly-veiled misogynism in the original series, the writers come up with the idea of a planet ruled by women, making the men subservient. All well and good, until the story is skewed by putting the women in the wrong; they intend to execute the men who have dared to disobey them, and in the end the men are set free and the woman in charge sort of huffily tosses her head and sulks off to the hairdresser. Jesus!

Perhaps one of the most embarrassing aspects of this episode was seeing Riker being made serve Beata, the woman in charge, and kind of like it. Deanna had a good laugh at him, but hers is the only laugh in the episode. It’s heavy-handed, badly written, and if, as Wiki says, it’s supposed to reflect Apartheid, well all I can say is it failed miserably. Even the prospect of the Enterprise crew catching a nasty virus and a visit to the Neutral Zone can’t lift this turd out of the toilet.

Rating:

Title: “The 37s”

Series: VOY

Season: Two

Writer(s): Jeri Taylor, Brannon Braga

Main character(s): Janeway, Chakotay

Plot: Amelia Earhart did not disappear on her solo flight in 1937: she was abducted by aliens!

Honestly, how could two of the principal writers for Voyager ever write this nonsense? When everyone was returned at the end of Close Encounters we kind of accepted it; maybe aliens had abducted Glenn Miller, Buddy Holly, a whole squadron of F4U Corsairs from the US Navy. But this? Janeway and her crew pick up an SOS and find Earhart and her navigator alive and well on the planet, demanding to speak to J. Edgar Hoover! Listen buddy, so would I. Maybe he could have made sense of this. Ridiculously, Janeway is torn at the end at the decision as to whether she “condemns all her crew to a seventy-year journey home” and allows them the choice to remain on the planet (which none of them do): hasn’t she already made this decision for them by blowing up the Caretaker’s array in episode one? Why is she agonising about it now?

Rating:

Title: “Who mourns for Adonais?”

Series: TOS

Season: Two

Writer(s): Gilbert Ralston, Gene L. Coon

Main character(s): Kirk, Spock

Plot: The Enterprise crew meet the god Apollo.

Speaking of things lost, or thought lost, who should the Enterprise bump into one fine day than jolly old Apollo himself, son of Zeus? He of course wants the crew to stay and worship him, and falls in love with a young crew woman, but Kirk has other ideas and as usual spoils the party. Hey, if his female crewmembers are gonna worship anyone, it had better be him!

Rating:

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Name: Cardassia Prime

Alignment: non-Federation, hostile

Home to: Cardassian race

Capital City: Cardassia City

Orbital star: Cardassia, Class K

Once a lush, verdant and arable planet, Cardassia suffered a natural catastrophe which devastated its surface and turned forests and hills into desert. The planet has little in the way of minerals and so a great famine descended, worsened by the military seizing power and ploughing all the planet’s finances into their war with the Federation. Cardassians are notoriously devious and mistrustful, and an air of paranoia cloaks everything they do. This can be seen (or could be, prior to the almost destruction of the planet and the elimination of its populace at the end of the Dominion War) in the huge viewscreens that frown down from many buildings, as the feared Obsidian Order makes no secret about its ubiquitous surveillance of its people. Orwellian is the word that springs to mind, and the people live in fear and dread of the knock on the door in the dead of night.

Despite the unremitting grey sameness of much of the architecture and the barren expanse that proliferates outside the walls of the cities, there is much beauty to be found on Cardassia, such as the Mekor Wilderness, where the rocks form into sublime shapes and there are subterranean caverns. The State Intelligence uses this area as a place to train its recruits, and maintains an institute there. Unwary travellers though may fall prey to the Honge, a huge flying pterodactyl-like creature, or even the Mekarian sawtooth, a carnivorous plant native to the region. There is also one rainforest remaining on the planet, and its location in Morfan Province makes it a popular destination for Cardassian holidaymakers.

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Commander Jadzia Dax, played by Terry Farrell

Dax is a trill, a symbiotic life form that can live a very long time — hundreds, maybe thousands of years — and is transplanted from host body to host body as each wears out or dies. Jadzia is the latest host, and in keeping with trill tradition she takes the alien’s surname, becoming Jadzia Dax, most often referred to as Dax. She serves aboard the space station Deep Space 9 under Commander (later Captain) Ben Sisko, whom she knows from her days of being implanted in the host body of the previous donor, a Klingon warrior named Curzon. Because of his long relationship with Curzon, and out of respect to the trill, Sisko often refers to Jadzia as “old man”, which is a little confusing. Initially, Jadzia is pestered by Doctor Julian Bashir, who falls in love with her, but eventually she falls for Worf, the Klingon security chief of DS9, and marries him.

Again, somewhat like Uhura and unlike most of the TNG females, Dax is treated almost like a man (given that she has the trill inside her and that all previous hosts were male, this is not that surprising) and acts quite the tomboy. She rarely seems to indulge in feminine trappings or be interested in feminine things, other than her romantic interests. She plays games of skill and chance at Quark’s with the abandon and acceptance of any other man, and she can fight and protect herself as well as any of them. She frequently leads missions, holding the rank originally of Lieutenant and then later Lieutenant Commander, and having her special relationship with Sisko gives her access to the station’s commander she might otherwise not have.

Dax is killed in the finale of the sixth season by Gul Dukat, but though Jadzia dies the symbiont is saved and later transplanted into another host body, who carries it through the final season to the conclusion of the show. After her heroics and sacrifice, Worf believes his late wife has earned her place in Sto’vo’kor, the Klingon heaven, somewhat equivalent to Valhalla, even though she herself is not of Klingon blood.

She’s my favourite for looks anyway.Personality not so much.

1.1 "Emissary"

Beginning as it does with the battle at Wolf 359, if you have not already seen TNG’s “The Best of Both Worlds” before embarking on your adventure into this series, it is highly recommended, otherwise the opening scene will confound you. Assuming you’re conversant with those episodes though (if not, read no further: you have been warned), we see the battle being directed against the Federation by Locutus of Borg, none other than Captain Jean-Luc Picard in his Borg persona. Starfleet is losing the battle, and will suffer heavy losses before retreating against the marauding invaders, making this a watershed moment in Trek history. Never before has such a massive fleet been assembled, the very cream of Starfleet, to be brushed aside like insects as the Borg carve their way through the galaxy towards Earth.

The USS Saratoga is just one of the ships trying to stem the advance of the Borg, but they are as ineffectual as any of the others, and the ship takes a direct hit. Benjamin Sisko, serving aboard the ship, sees his wife, Jennifer, dead, pinned beneath a metal stanchion as the ship goes up in flames and he is forced to leave her there, taking his young son Jake as they escape, moments before the ship tears itself apart. Three years later, he is given command of the Federation space station, Deep Space Nine, which is in orbit around a planet called Bajor. This planet has just emerged from a long war of attrition with the Cardassian Empire, and they have requested a Federation presence in the sector, to discourage their old enemy from returning. The station the Federation are to take control of is an old Cardassian outpost known as Terak Nor, but Starfleet have renamed it.

Joining Sisko there is his new chief of operations, Miles O’Brien, whom we met in TNG previously. As it is the Enterprise that brings him and the station’s doctor, Julian Bashir, to the station, it’s not that surprising that we see a guest cameo for Patrick Stewart as Captain Jean-Luc Picard. Sisko however is in no mood to be friendly: this is not a posting he requested and truth to tell, he is thinking of resigning his commission. He has a young son to bring up now, on his own, and a space station does not seem the best of places for him to grow up. He meets his new attache, Major Kira Nerys, who is less than overjoyed to see him. She is a Bajoran, fought against the Cardassians and is not happy to see the Federation, as she sees it, taking the place of the old oppressor. He also meets his chief of security, an alien called Odo, who can shift his shape into any form he wishes, and treats Sisko (and everyone really, bar Kira) with a sort of gruff tolerance. He was also chief of security when the Cardassians occupied this station, a fact that will not sit well with many now that the enemy has been overthrown.

After the nephew of Quark, the Ferengi who was running the local casino and bar but is now preparing to leave in the aftermath of the destruction wrought by the defeated, departing Cardassians, is caught stealing, Sisko offers him a choice. He will release the boy if Quark stays and reopens the casino. He wants someone to make a stand, put down roots and rebuild. Quark, with a tacit assurance of little or no interference from Starfleet in his gaming tables, grudgingly agrees. Odo begins to have a new respect for Sisko. Kira explains that she believes the provisional government set up to rule in the wake of the fall of the Cardassian occupation will itself fall, as factions develop and old scores are reignited. She says the only one who can reunite the planet is the spiritual leader, Kai Opaca, but she has secluded herself away. Just then, the vedek Sisko spoke to soon after his arrival advises him “it is time” and he goes to meet Opaca, who has sent for him. She shows him what she calls “a Tear of the Prophets”, a celestial orb of which she says there are nine, which appeared “mysteriously in the sky over the last ten thousand years.” She opens the casing and a blinding light suffuses him, and he is shown a most amazing vision.

He sees his future wife, Jennifer, now dead three years, as she was when he first met her. The vision does not last long, and when it is over Opaca tells him he has been chosen by the Prophets, her people’s gods, to find the Celestial Temple before the Cardassians can. He has no idea what this temple is, but she tells him she cannot reunite her people until the Prophets have been warned. His pah — the lifeforce or spiritual energy the Bajorans believe is in all beings — is strong, and has helped her come to this conclusion. A little nonplussed, Sisko is nevertheless delighted later that night to see the promenade come alive as Quark keeps his end of the bargain and reopens the bar. The next day he greets his medical officer and his new science officer, the latter of whom is an old friend of his. Dax is a Trill, a symbiotic lifeform introduced in TNG which bonds to a host body and can live many hundreds of years. The relationship is totally benign, and neither is in control of the other, but when Sisko knew Dax he was in an old man named Curzon. Now he is in a young, pretty female called Jadzia, and Sisko is amused, still calling him “old man” despite the obvious curves.

The MO, Julian Bashir, is smitten with Jadzia, even though he knows about the Trill inside her, and is like a blushing schoolboy around her, which again affords Sisko and Dax much amusement. Sisko is less amused however when the former Cardassian Prefect of Bajor, and the man in whose office he is now sitting, drops by. Gul Dukat makes it plain that he is not happy to have been ousted, and tries to wring information from the commander about the orb he has seen, but Sisko feigns ignorance. A veiled threat that the station is “far from the protection of the Federation, with poor defences” does nothing to settle Sisko’s mood of foreboding, and the two men take an instant dislike to each other, an air of mutual distrust and suspicion descending almost immediately.

Dax has been researching possible locations for this so-called “Celestial Temple”, and they now have an area they need to check out, a locus for all the sightings and navigational errors that lead them to believe this may be the place they’re looking for. With Odo managing to disable the Cardassian ship berthed at the station they are free to launch unchallenged, and head off in one of the small “Runabout”-class shuttles to explore. What they find, against all logic, is the first stable wormhole known to exist, and more, within that wormhole, a planet! Or an asteroid. Both see something different when, again against all logic, they find they land on … something. Sisko sees a desolate, windswept, storm-lashed planetoid, while Dax see a vision of a beautiful garden; trees, flowers, rolling hills, blues sky and sun. Then they both see it: an orb, floating in the air. It shoots energy beams at them, and Dax is transported back to the station. When she relates what has happened, Major Kira realises the enormous strategic importance of the wormhole and comes to perhaps an odd decision: Deep Space Nine must be moved, somehow, to the mouth of the new wormhole, so that the Bajorans (and the Federation) can lay claim to it before the Cardassians do.

Sisko however remains behind and seems to have another vision, in which he contacts the aliens inside the wormhole, and finds that they have no conception whatever of time. For them, there is no “now”, “later”, “soon”, no “past” and no “future”: everything happens to them at the same moment. They test him, calling him adversarial, violent (sound familiar?) but he wins them over and they agree to anoint him as their emissary. They also bring him face-to-face with his own guilt and pain, and allow him to say goodbye properly to Jennifer. Meanwhile, Gul Dukat has not been idle in wake of the appearance of the wormhole and sets course for it, despite the warnings of Kira and Odo. Just as his ship enters it it collapses, and soon three Cardassian warships arrive in search of Dukat. Dismissing this story of a wormhole they can neither see nor detect, they surround the station, believing that the Bajorans have somehow destroyed their ship. They demand the total surrender of the space station, but Kira and O’Brien manage to make it look as if they are well armed and would not be an easy target. Nevertheless, mindful of the approach of the Enterprise, less than a day away, Jasad orders the attack.

As the station begins to sustain heavy damage, and after holding out as long as she can Kira prepares to surrender, the wormhole suddenly reappears. Jasad is dumbfounded, the moreso as the Rio Grande comes through, towing Dukhat’s stricken ship! The attack is of course broken off and Sisko returns to Deep Space Nine. With the wormhole now a major attraction, both for commerce, tourists and scientific research, to say nothing of the strategic importance it has suddenly acquired in a military sense, Bajor is on the map in a way it never was before. The wormhole aliens, or Prophets as the Bajorans refer to them, have agreed to allow safe access for all through the wormhole, affording a quick and easy passage to the Gamma Quadrant, seventy thousand light-years away. His initial doubts about the post now vanished, and knowing he is where he is supposed to be, Sisko asks Picard to rescind his request for replacement, and takes his place at the helm of what will be one of the most exciting and challenging posts in Starfleet.

QUOTES

Bajoran Vedek: “Welcome, Commander. Enter please; the Prophets await you.”

(How prophetic and accurate that statement will turn out to be!)

Sisko: “Is something wrong, Major?”
Kira: “You don’t want to ask me that.”
Sisko: “Why not?”
Kira: “Because I have the bad habit of telling the truth, even when it’s what people don’t want to hear.”
Sisko: “Maybe I want to hear.”

(This sentence distils the future relationship between the Bajoran attache and the commander: he will always want her to speak her mind, even if (as frequently happens) she disagrees with him, and he will never shrink from the hard questions)

Sisko: “I was just talking to our good friend Quark: he was laying odds the government will fall.”
Kira: “Quark knows a good bet when he hears it. This provisional government will be gone in a week, and so will you.”
Sisko: “What happens to Bajor then?”
Kira: “Civil war.”

Kai Opaca: “Ironic. One who does not wish to be among us is to become the Emissary.”

Opaca: “You will find the Celestial Temple, Commander. Not for Bajor, or for the Federation, but for your own pah. It is quite simply, Commander, the journey you have always been destined to take.”

Bashir: “This will be perfect! Real frontier medicine!”
Kira: “Frontier medicine?”
Bashir: “Major, I had my choice of any job in the fleet. I didn’t want some cushy job or a research grant. I wanted this! The farthest reaches of the galaxy, one of the most remote outposts available. This is where the adventure is! This is where heroes are made, right here, in the wilderness.”
Kira: “This wilderness is my home. The Cardassians left a lot of injured people behind, Doctor! You can make yourself useful by bringing your Federation medicine to the natives. You’ll find them a friendly, simple folk!”

Kira: “Red alert! Shields up!”
O’Brien: “What shields?”

Kira: “You don’t think, Gul Jusad, that Starfleet took command of this station without giving it the ability to defend itself, do you?”
Jasad: “Defend itself? You could not defend yourselves against one Cardassian warship, let alone three!”
Kira: “You’re probably right, Jasad. And if I were a Starfleet officer I’d agree with you that this is a hopeless cause. But I’m just a Bajoran, who’s been fighting hopeless causes all her life against Cardassians. So if you want a war, Jasad, I’ll give you one!”

Houston, we have a problem!

I find it odd, unlikely in the extreme that the Cardassians are allowed back on the station off which they were ejected but two weeks ago. Admittedly, there is a reason for their visit and it is no coincidence that they wait until the Enterprise has left before approaching, but the ease with which Sisko allows them to “enjoy the facilities” is unsettling. It’s like the SS coming back into Auschwitz after it’s been liberated, or Al Quadea perhaps walking up to Ground Zero. Is there no tension here, no hostility? It’s a Bajoran station after all; surely the locals are upset about this? But nobody seems to say anything, even raise an eyebrow. They’re just accepted back. Granted, they’re big heavy military types and nobody would want to mess with them, but you would think Sisko might have raised some objections, yet he doesn’t. Odd, I feel.

Also, how is it that this wormhole has existed for approximately ten thousand years and yet Sisko and Dax are the first ones to ever locate it? Surely that’s too massive a coincidence to ignore? Ten millennia: think about that. All right, man has only had space travel at this point for maybe two hundred years or less, but what about all the alien races passing through this sector? Did the Cardassians, in surely many supply runs to or even attacks on Bajor, never stumble across this? Is that in any way believable, that it’s just been here, all this time, waiting for Sisko to discover it?

Ten or less things I hate about you

Unlike the original series and even its successor, DS9 is not peopled with characters who like each other. Quite the opposite in fact, and there are rivalries, jealousies and agendas going on all the time. This is not surprising, given the shaky nature of most of the relationships. The Federation is seen as an intruder, perhaps an unwelcome guest, and many of the people there would rather be somewhere else. In this section I’ll be looking at the more negative aspects of the relationships between characters, how they fit in to the overall storylines, how they change (if at all) over time and how enemies become allies and sometimes allies can become enemies. It’s one of the great strengths of the series that nothing is black and white, and that the good guys are sometimes hard to distinguish from the bad. It’s much more realistic in a characterisation kind of way, where people have flaws and failings, and nobody is lily white.

Sisko and Picard

This is the first real conflict we come across, and though it doesn’t last — by the end of the episode it’s resolved — it’s important as it speaks to the reasons Sisko thinks he might not even any longer wish to be part of Starfleet. Nobody could blame him for hating Picard on sight: the last time he saw the man was as Locutus, directing the Borg offensive against Starfleet at Wolf 359, and being directly responsible for the death of his wife. Logic says he should realise this is a different man now, and that Picard had no choice in the transformation: he did not ask to be assimilated nor willingly serve the Borg, but a man who is hurting inside from pain he believes will never lessen is not a man to listen to logic. Sisko also possibly blames Starfleet itself for Jennifer’s death, and thinks he should have died with her, but left with their son to bring up on his own he does not consider the space station the best environment in which to accomplish that. By the end of the episode he has been shown by the Prophets that it is his own guilt and sense of loss that is keeping him where he is, and once he breaks that tie, says goodbye to his wife, he is able to move on, even able to shake Picard’s hand. The past is the past, and let it stay there.

Sisko and Kira

A much more tempestuous relationship, which will not be as easily or quickly resolved. This too is understandable. Kira Nerys comes from a background of fighting an implacable oppressor for the freedom of her home planet, and now, with that finally accomplished, she groans as the newly elected provisional government bows and scrapes to the Federation and invites them to run Terak Nor. To her mind, the Bajorans have beaten one master only to fasten the chains again and hand them to a new one. She believes too that the government will soon fall, and then Starfleet will pull out as her planet descends into bloody civil war.

She is, therefore, most impressed when the spiritual leader of her people sends for Sisko and tasks him with finding the “Celestial Temple”, and even more so when he does find it, precipitating a shift of historical proportions as suddenly Bajor finds itself the gateway to a whole new quadrant of the galaxy, assuring it of revenue, fame and indeed protection. The Federation will now jealously guard Bajor, which has just become the shining jewel in their strategic and propaganda crown. And she sees too how Sisko deals with Quark, the Ferengi who wishes to leave but who is convinced to stay. She also finds new admiration and respect for Starfleet through O’Brien, whose technical wizardry helps her save the station. Perhaps having the Federation here is not such a bad idea after all.

Sisko and Dukat

By far the greatest rivalry though will be between the erstwhile oppressor of Bajor and the new commander of Deep Space Nine. Dukat makes it quite plain that he is not happy to have been forced off Terak Nor and makes veiled threats that Sisko, while not in the least cowed by them, knows are not quite so empty. They are a long way from home, with no starship to protect them, and Cardassia is much closer than any Federation world. This of course changes once the wormhole is discovered; now, Starfleet and other vessels will be regularly visiting the once-poor planet and its orbiting space station, and it will become a hive of activity, leaving Dukat little opportunity to carry out any reprisals he had intended.

But it is more than just Federation versus Cardassia here. Dukat has taken an instant dislike to Sisko, and vice versa. The two will cross swords regularly over the course of the next seven seasons, and will remain bitter enemies right to the end.

Faith

Deep Space Nine succeeded in bringing one thing to the Star Trek universe that its two predecessors had rarely if ever touched, and certainly never focussed upon: religion. There is a strong theme of spirituality and religion running through this series, and it informs much of the overall plot. Many viewers found this a little boring, a little preachy, and in some cases a little unnecessary, and I would not disagree with that. Had the wormhole aliens just been treated as such there might not have needed to be such focus on gods and religion, but the writers decided that was the way they were going to go, and it was a brave decision, if not always a good one. But it certainly made DS9 stand out from its fellows, and perhaps drew in some more casual viewers who had not really seen the concept of religion explored so thoroughly and so openly in a TV drama series, especially a science fiction one.

Bajor exists on its religion. Its leaders are called vedeks and its spiritual leader in chief is the Kai. In some ways, it could be said to be a theocracy, and likened to perhaps Iran or other countries where there is no separation of church and state, but without the hardline repression practiced by at least Iran on its people. The Bajoran religious rule of law is more harmonious, more relaxed, less concerned with a vengeful god breathing fire and brimstone than in trying to get everyone to live in peace. Almost Utopian, it would seem. And pretty much defenceless in that regard, leaving them open to attack, subjugation and conquest and occupation by a militaristic race like the Cardassians. Religion is what sustained the Bajorans throughout the occupation, and now that they are free they hope it will bless their new lives.

But as in any government, theocratic or not, factions rise and squabble, disputes break out, family feuds resurface, and all the petty little jealousies and grievances that were put on hold while the planet fought as one against their oppressors now come bubbling back to the surface, rising inexorably like a genii who has been let out of the bottle. Bajor is in danger of fragmenting and tearing itself apart, and only Kai Opaca can bring them together. But to do that, she needs to seek the guidance of the Prophets, the mythical beings her people worship and whom Sisko finds living in the wormhole. With this sign in the heavens (could there be a more direct indication of the favour of the Prophets towards their people?) tensions will ease, for a time, on the planet and Opaca will be able to calm her people and bring about a cessation to any talk of civil war.

But there are doubts about the chosen emissary of the Prophets. An unbeliever? An infidel? An outworlder? Such questions will continue to plague Ben Sisko as he tries to juggle his position of commander of a Starfleet base with that of messiah and messenger to a people who, a few short weeks ago, he didn’t even know existed.

Lies, damn lies and politics

The other main theme explored in this series is politics, and of course as ever this is inextricably linked with religion, especially when dealing with a theocracy. It’s politically expedient that the Federation and Starfleet take control of the wormhole, as it will become perhaps the single most important fixture in the quadrant, affording as it does the only way to travel to the Gamma Quadrant, and indeed welcoming strange alien races from 70,000 light years away to their part of space. As a military outpost it could not be more significant, which perhaps makes it odd that Starfleet does not berth a number of starships there from the outset, though perhaps they want to avoid showing too heavy a hand. After all, nobody is at war with anyone … yet. They probably prefer to offer the hand of friendship before revealing that the other hand may hold a sword.

But throughout the series, politics will play a huge part in the sprawling story to unfold once the second season comes to a close, and Sisko will find himself enmeshed in affairs he could not have dreamed of as he and his son headed disconsolately towards their new home at the beginning of the episode. He will find himself making decisions that will keep him awake at night, and struggling in the end not only for survival of the Federation, his species and Bajor, but for his very soul itself.

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#1: Spock tells his wife and her lover to fuck off. In traditional Vulcan style, of course!

Spock returns to his home planet to fight for his mate, being in the throes of Pon Far, the Vulcan mating cycle which induces in him a blood fury. He is told by his wife, T’Pring

that there is a challenger for her heart and he must fight for her. He prepares to engage in combat with Stonn, his rival.

But T’Pring is clever; she can choose her champion and she does not choose Stonn, but Captain Kirk, who then has to fight his first officer.

and believing that he has actually killed Kirk, Spock returns to the Enterprise, leaving his scheming wife with the result she wanted. Before he goes though he pwns them both:

“Flawlessly logical”, he compliments T’Pring, when she has explained her plan, that “if you won, you would not want me, and so you would leave, but Stonn would still be here. If your captain won, he would not want me and so he would leave, and there would still be Stonn.” She inclines her head at the perceived compliment, but I personally believe that Spock was actually insulting her, telling her that she was unable to see beyond logic, as he has sometimes managed, and more, has used logic to furnish her with the outcome she wanted.

He then turns to Stonn and says, “She is yours. You may find, after a time, that wanting and having are not the same thing.”

ZING! Fuck you, Stonn! You can have the bitch! I am OUT of here! Laters bitches!

Luckily, when he gets back to the ship he finds Kirk is not dead, and loses control of his emotions for a moment. Ah, bless!

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I’m more a Bev man myself, though I do have to admit thoughts of Kes did keep me awake nights…

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That’s me.

Dax was a favourite character of mine.

I’ve enjoyed all the Star Trek but I’m struggling a bit with Picard

Every time Kirk gets into fisticuffs it makes me chuckle, he was a lot more physical than the following captains! How many times did he hit Spock? :rofl:

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I love Terra Nova! Sort of like La Brea. Bad but good in its badness.

Agreed about I, Borg and about the Sisko and Jake episode. Didn’t add much to the story line.

Completely agree about the episode with Tasha’s death. Horrible. Made no sense. One of the worst episodes in the series, if not the worst.

Alexander, son of Worf, was foreshadowed as successful. Worf gave him more respect after that.

I didn’t like the Far Point episode but I guess it had so much to introduce. I really didn’t like Zorn.

I liked Christopher Pike in the only episode I saw him in. I like Shatner less, as was rumored about his fellow actors.

I’m only halfway caught up but I’m going to post this. I’m stopping before the great episodes.

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This makes me want to watch Babylon 5. Unfortunately for me, it’s only playing on tubi at the moment. I hope it comes back to another streaming service. What a great reaction!

Well lucky for you I’m also doing a B5 thread.

Plus, get in touch if you want the series. I know people and download things. Possibly.

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There’s probably nobody who hasn’t seen this iconic show, so I thought it might be kind of time to do a retrospective look back at it. However don’t expect any reviews. If you haven’t seen it, either hand in your human visa and go back to your home planet or remedy this most unacceptable situation right now by watching all seven seasons. By tomorrow at the latest. Although I do love the show (I mean, who wouldn’t? It was the first time we got more Star Trek after the original) I’m the first to admit it got off to a shaky start. Some of the episodes in seasons one and two are frankly laughable, with many of the first season ones being nothing more than rewrites of old classic Trek stories - “The Naked Now”, “When the Bough Breaks”, “The Last Outpost” etc - and some truly awful acting, costumes and ideas that did not pan out.

So this will be a sort of companion, if you will, to my Doctor Who thread. I’ll be, as we say here in Ireland, ripping the piss out of the early episodes as much as I can: laughing at the writing, cringing at the acting, and no doubt enumerating the various uniforms and hairstyles of Deanna Troi. After a while, of course, the series settled down, and while there was still occasionally the odd thing to laugh at (Picard playing piano in “Lessons”, anyone?) or just roll your eyes at (the ending, such as it was, of “Where Silence Has Lease”?) it’s not really fair to poke fun, as it really did find its feet and now deservedly holds its place among the very best of science fiction TV drama, and is highly revered in the ever-growing Star Trek franchise.

So when I run out of things to slag off, I’ll be taking it a bit more seriously, but still no reviews. I’ll be pointing out interesting events, people, battles, character development and so on in episodes, and maybe referring back to earlier ones to see how well they’ve come on. And just doing my usual job of ranting and drivelling all over the place. You know the kind of thing.

Note: I’m not going to list the cast, as if you don’t know by now who plays who you can fuck off. I’m also not listing guest stars, because the hell with that. These are being written on the general expectation that most if not all of you have seen these episodes already, probably more times than you care to or can remember, so I won’t be explaining stuff, just poking fun at it where I can. And maybe doing a few serious little bits, if I really have to.

I’ll be doing the episodes in order, obviously, and trying if possible to do one a week, but we’ll see how it goes. Well, only one man to get us on our way and growl “Engage!” right?

What? No! Not him!

You tell him, Captain! Now, orders?

A few clarifications then: some are self-explanatory, some need a little more explaining done.

Bodycount will be broken into three separate sections.

Historical: Deaths which occurred - and are relevant - prior to the mission. Examples might be an outpost attacked which the Enterprise then has to investigate, or a murder committed on a planet before the ship arrives.

Incidental: Deaths which occur not directly as part of the episode or as part of the intervention of the crew, but are linked to it. An example here would be say a spy who is being pursued by the Federation and on whose trail the Enterprise is, might kill someone to throw them off the scent.

Direct: Self-explanatory. Any deaths in which the ship or any of the crew have a direct hand.

The Bodycount is cumulative; each episode the individual deaths will, if possible, all be listed and then added to the running total. Note: whole planets, systems, civilisations assimilated by the Borg will not be added, as I have no way of knowing how many people that is and anyway technically they’re not killed, just made to exist in a living hell. Much worse. Bodycount does not take into account injuries or maimings; deaths only. As for those who come back from the dead? I’ll have to think about that one. Also not included will be planets destroyed, those killed in major engagements (unless the figures are released, which I don’t think they ever were) and basically any deaths I can’t count, as in, say that’s three here, that’s nine there etc. No estimates are going to be made: unless I can see or hear of a number, it ain’t going in.

Data v Humanity How often is Data right, and how often does his android reading of the situation fail to take into account the human factor, leading to the wrong action being taken?

Ships/vessels This can refer to any ship, vessel, probe etc. The Enterprise need not encounter it - it could happen in another scene, down on a planet etc - nor need any actual interaction take place (a shuttle going by on Earth for instance). Can be friendly, hostile or neutral. Living organisms, space monsters etc do not count here. Duplicates of the Enterprise do count though. Except in that one - is it “Cause and Effect”? Not sure, but you know the one, where there are about three million Enterprises all materialising at once? I’m buggered if I’m counting all them. And Wolf 359 can suck it too. Quantifiable figures only, as Data might say.

Character Scores

Characters are awarded points based on the below table. Points are of course cumulative, and as you can see, can be negative as well as positive. Some scores are only awarded once, like maybe “Engage in a personal relationship” - if a character does this, they don’t get the points for every episode in which they are in that relationship, only when it begins. If, however, they begin a new one, they can score (sorry) for that. Otherwise, this is how it goes:

5 points

Appear in episode

Speak in episode

Take part in a significant way in episode

Part of an away team

10 points

Lead an away team

Take part in combat (ship or otherwise but must be on the bridge for the former)

Move the plot along

Engage in some off-duty activity (music/holodeck/writing/sport etc)

Give bad news to the captain or other senior officer

Inject some humour

Interact with an alien species (familiar, friendly, hostile or neutral but NOT a crew member)

Give advice to another crew member

20 points

Save the ship

Come up with the solution

Solve the mystery

Save one or more lives

Engage in a shipboard romance (does not include Riker/Troi, as this was already a thing)

Spend time on the holodeck

Impress, or get spoken commendation from the captain or a senior officer

Give advice to someone outside of the crew

Board another ship (friendly hostile or neutral, including deserted and/or unmanned)

50 points

Share top billing in the episode with no more than 2 other characters

Engage in a personal relationship outside of the ship

Gain a promotion

Command decision (good)

80 points

Take top billing in episode

100 points

Sacrifice your life or freedom, or be ready to, for your crewmates

Sacrifice everything for those outside of the crew

200 points

Broker, or be involved in the brokering of, a peace or other treaty

500 points

Save a planet/civilisation

-10 points

Act in a way that is contrary to Starfleet and the protocols of the Enterprise

Get put on report

Annoy the captain or another senior officer

Fail in your task (this can’t be something which can be corrected or at which you later succeed)

-20 points

Put the ship in danger through your actions or inaction

Your action or inaction leads to the injury of one or more crew members

Your action or inaction leads to the injury of someone outside the crew

Allow personal considerations to interfere with your duty

-50 points

Your action or inaction leads to the death or one or more crewmembers

Your action or inaction leads to the death of one or more people outside of the crew

Command decision (bad)

All scores are cumulative, both in the episode and in the series.

A chart will be maintained to see how each character does, over the course of a season, and over the course of the series.

There are also scores for episodes, and they run on this basis:

5 points

Tension/Suspense

Danger (general)

Romance (Must be directly connected to the plot or subplot(s))

10 points

Battle (lost)

Death(s)

Rescue

Difficult decision(s) to be made

One or more planets visited (must be landed on/Away Team sent, not just in orbit)

20 points

Battle (won)

Mystery/puzzle

Alternate universe/timeline/time travel

Medical emergency/situation

Alien involved (friendly/neutral)

Danger or threat to one or more specific crew members

50 points

Involves Q

Alien(s) involved (hostile)

Danger or threat to the ship

Strange things happen which may not be explicable

Significant Guest Star(s)

Holodeck episode

100 points

War (Ongoing or the start of one, but not one that is avoided)

Alien invasion

Female-led or focused episode (crew or otherwise; in VOY, excludes Janeway)

Episode with the Doctor (Voyager) or Data (TNG) or Odo (DS9) in the main role

Ferengi-focused (DS9)

-10 points

Bad ending

-20 points

Too many loose ends left

-100 points

Racist

-150 points

Sexist

-200 points

Stupid

Copy of, or too close to another episode from another series/that series (not original enough)

Make it so Every time Picard says this

Engage! Same (although this can be said by anyone)

Earl Grey You know by now

Starbase Whenever the Enterprise docks in or uses a starbase, or one is shown or mentioned. Historical references are allowed (“We have just completed repairs at Starbase etc”)

Shuttlecraft Only those actually in use; shuttlecraft shown in the bay do not count unless taken out.

First contact Definitely applies to the Borg, and any other race the Enterprise gets first dibs on, but also includes races other aliens contact first, like the Klingons or Romulans. Humanity is not included as a First Contact situation for any alien race.

++ indicates the location is virtual, e.g, holodeck simulation, dream, vision, flashback etc.

  • indicates the location is only seen, e.g., on a viewscreen etc, or spoken of but not seen (“When I was last on Risa” etc)

Combat Factor: For each battle, or defence, or engagement the Enterprise, or any other ship is in, 10 points are awarded. The CF does not concern the GALAXY CLASS starship only, but the whole episode. God help me when we get to Wolf 359!

Lives saved This does not include all of the Enterprise crew as a unit, i.e., when the ship is saved yet again from disaster, nor does it save planets, cities etc. It has to be specific individuals, though they can be crew members.

Episode title: “Encounter at Farpoint”

Season: 1

Importance: Pilot episode; double

Crisis point(s) if any: The Enterprise’s encounter with the Q, who puts mankind on trial for being a savage race (no contest, your honour!); the race to uncover the mystery of Farpoint Station, to say nothing of the need to make a good impression on the ratings!

Original Transmission Date: September 28 1987

Writer(s): D.C. Fontana, Gene Roddenberry

Director: Corey Allen

Stardate:* 41153.7

Destination: Farpoint Station, Deneb IV

Official Mission (if any): Find out how Farpoint Station was built, and rob the tech for Starfleet I mean make a deal with the engineers so Starfleet can replicate it. And prepare some extremely large fish tanks, the kind that make the ones Kirk used in The Voyage Home look like matchboxes.

Unofficial Mission (if any): Prove humanity is not still a savage race (or convince Q of it anyway); kidnap Groper sorry Groppler Zorn (alien beats them to it)

Character(s) in main plot: Picard, Riker, Q

Main character(s) in Subplot (if any): Picard, Data, Troi

Villain/Monster (if any): Not really; Q could be characterised as such I guess, as could the greedy Grabber sorry Grappler I mean Groppler Zorn, but there’s kind of no real enemy to fight here.

Alien(s): Q, Groppler Zorn, Jellyfish aliens, Ferengi (mentioned)

Deaths: 1 (see Bodycount below)

Lives saved (episode): 1 (Zorn; surely the alien would have killed him?)

Lives saved (cumulative): 1

Locations:

Shipboard:

Picard’s Ready Room

Bridge

Holodeck

Transporter Room

Sickbay

Space:

Alien vessel

Other

Zorn’s office, Bendy I mean Bandi CIty, Deneb IV

Farpoint Station

Mock-up of 21st century courtroom ++

Ships/vessels: 1 (Q’s probey thing is considered a vessel of some sort)

Space battles: 0 (They just run away from the Q thing, big babies)

Bodycount

Historical

0

Incidental

1 (Soldier in the courtroom scene set up by Q)

Note: It’s possible, even likely that people are killed when the creature’s mate starts zapping the city, but no figures are mentioned and I don’t see any actual casualties, so I can’t add them. This is probably going to happen quite a lot; you can’t keep track of every piddling death.

Direct

0

Total: 1

Running total: 1

Lives saved2 :alien who was trapped as the Farpoint Station/ Zorn, whom the other alien would surely have killed.

Make it so: 1

Engage! 1

Combat factor: 0

Planets visited: Deneb IV

Planets referred to: Earth

Mysteries: The construction of Farpoint Station; the secret behind the alien ship later bombarding the city

Patients in sickbay: 1 (Geordi)

Holodeck simulation(s): Basic forest

Data v humanity: n/a

Character scores:

Picard 30

Riker 30

Troi 15

Bev 10

Geordi 15

Data 15

Worf 10

Wesley 10

O’Brien 10

Yar 25

Q 55

Earl Grey: 0 (I think he has a cup of it when he talks to Riker, but it’s not identified as such)

Shuttlecraft: 1 (mentioned, as Data shuttles McCoy on board)

Admirals: 1 (McCoy)

Starbases: 0

First contact: 1 (Jellyfish aliens)

Humour: 0 (later every Q episode will guarantee laughs a-plenty, but no, here he’s as serious and dour as a Supreme Court judge dealing with an advocate of Roe v Wade).

Episode score: 250

Episode rating: A++ (Well it would have to be, wouldn’t it?)

Okay, just before we get going, I need to get this off my chest. Whose bright idea was it to make Picard French, and why? Was this a form of lipservice to some disgruntled French viewer who wrote in complaining (sorry for the exaggerated French, and I don’t mean to insult anyone but this is parody so take it in that spirit or feel free to suck it) “Meester Rodenbairrhy! We see zat you ‘ave ze Chinese, ze Russian, even ze Scottish in your Star Trek show but - zut alors! No Frenchmen or women! C’est que’cest? (or something) Is eet because we fought against you in zee war of 1812? Please conseeder a Frenchman for your new series. Merci.”

Well, if not then what the hell were they doing? Patrick Stewart is an Englishman, speaks cultured Shakespearan English, and is supposed to be French? His so-called French heritage rarely if ever impinges on a storyline (other than the godawful “Family”, which was the comedown from “Best of Both Worlds Part 2,” itself a comedown from the first part, and is best forgotten about, except on those nights when you wake in a cold sweat screaming “He has a brother!”) and he seldom references it, so why? Surely, if for reasons best known to themselves, they wanted a French captain, they could have hired, oh, I don’t know, a French actor? But no. They get an English guy. Who, to be fair, was pretty much unknown at the time, so they can’t even use the excuse he was a star and they needed him to pull in the punters.

It’s always annoyed me. Never since, in the field of human Star Trek, has a European, never mind a Frenchman or woman, captained a starship, or at least been the main character. DS9? American. Black,yes, but still American. Voyager: god knows, but probably American. I think she refers to it at some point, though I was probably nodding off at that stage. Which episode, you ask? Take your pick. Enterprise? American. Discovery? American. The only Europeans we’ve seen since TNG - excluding Miles (“Oi’m Oirish, y’know!”) O’Brien, who is already established here though he transfers over to DS9 - is yer man from Enterprise, Malcolm wotsit, who’s English, and I think that’s it. An Indian/Egyptian (?) in DS9 too, but the main bulk of the cast has been American. Not a Frenchman to be found. Sacre bleu! And other racist French exclamations.

I’ve never seen any justification or logic for it and I have never understood it. It comes across to me as the most basic pandering to a PC audience who may or may not have demanded European representation on the bridge of the new ship. Well, they may not have been too happy with what they got, cos Picard is English in all but name.

Okay. That will be the last I’ll say of it, is a complete lie. I will be ranting further about it as we go along, you may be sure. But there are so many other characters worthy of my scorn, it may be a while before I get back to him. Just wanted to lay that out before you from the start.

What’s that? You couldn’t give a pair of foetid dingo’s what? Get on with the show you skinny, balding what?

Meh, okay then.

First thing I noticed about this new show at the time was the lack of what you might call an introductory scene. I know this was more a product of the late sixties and early seventies, an attempt to hook the audience before the show started, but I kind of missed it. Mind you, this would become the norm from now on, so I quickly got used to it, and anyone who does it now - a few do, though I don’t think any science fiction shows - seem out of step. But back then it was odd. Also strange to hear the new, PC-world-adjusted intro: now it’s no longer “Where no man has gone before” but “where no-one has gone before.” Also, there’s no “five-year mission”, as there was rather optimistically in the original, which only got three. Ironically, this ran for seven. The new theme is cool though. While we had all got used to the original theme, let’s be honest, it was never indicative of a science fiction show, was it? Sorry Alexander: at least your original spooky intro was kept in. As I noted in the thread earlier, this was actually based - almost completely copied from, in fact - the theme to the first Star Trek movie, stunningly originally titled The Motion Picture.

It is good to see they kept the grammatically incorrect but well-known and loved “to boldly go”, though I note they changed the ship to a sexless one. Whereas in TOS it was “her five year mission”, now it’s declared to be “its continuing mission”. Boo. TNG would also pioneer the sort of reverse of TOS credits, where in the latter the ship would flash across the screen at the end, um, of the beginning, if you know what I mean, and vanish as it came towards you. From now on all ships would move away from the camera. Here, the Enterprise goes into warp. In DS9 a runabout vanishes into the wormhole, Voyager goes into warp too, unfortunately though it does come back, and Enterprise the series can vanish into whatever orifice it finds most handy. I can’t remember but I think Discovery does the same. It did become standard. Good that they also kept the “Captain’s log” voiceover.

Roddenberry obviously held on grimly to his vision of how women would dress in the 24th century! I see mini skirts and boots, and indeed Deanna Troi is dressed like some sort of throwback from the 1960s, the only one of the female crew to be so dressed, probably because she’s not a real crewmember as such, being the ship’s counsellor. It’s interesting to me that they chose to begin by not having everyone present, with Riker and Crusher (with Wesley in tow, sadly) to meet the Enterprise at Farpoint. Data is there though, and man is he stiff! They dropped his syntax after one episode, and no wonder. Could you stand someone who kept prefacing their remarks with the description of the form he used? “Inquiry”, “Possibility” etc? You’d have given him a slap. Very annoying. As, in fact, is Picard’s rather smug stealing of every scene, though he’ll be upstaged later by Riker. For now though, as he never stops telling us, as if we hadn’t heard the first time, this GALAXY CLASS starship is his stomping ground, and he’s the head cheese.

Okay, time for the first of many, many, many bad jokes. As they sit together on the bridge (why is it called a bridge anyway? I don’t see any water!) Troi says to Picard “I detect a powerful mind.” Picard, grinning and running his hand over his bald head, replies “Well, now, I don’t know that I’d say powerful, counsellor. Though I am awaiting my IQ score from MENSA and I think we’re all going to be pleasantly surprised!” Yeah, get used to it: there’s, unfortunately for you, plenty more where that came from. A very Indian looking helmsman, who, in a sort of reversal of American industrial policy, was soon outsourced to an Irish one, seems on the verge of panic as Q makes his first appearance. Probably why Mr. No-Name got fired: Picard muttering “I’m not having anyone shit themselves at the console just because a godlike, omnipotent entity appears from nowhere! What would he do if Roddenberry walked in?”

Q, of course, not to be confused with Q and definitely not to be confused with Q, went on to become one of the most popular characters in the series, and appeared in others of the franchise, though only after he changed, or was changed, from an evil omnipotent god into a mischievous, omnipotent trickster god, and became somewhat the butt of the joke of the series, as did the Ferengi, of whom more later. Here he does his very best to be menacing, and, to be fair, succeeds. Nobody could imagine that in the future Picard would greet his arrival on the ship in the same way as you do when you open the door and it’s drunken old Uncle Kevin there again, whom you (thankfully) haven’t seen since last Christmas when he tried to roger the turkey in front of grandma. Yeah, he becomes total comic relief, but here he plays his role well and everyone seems to be shitting their pants. Mind you, he will, soon enough, do humanity less than a solid and introduce them to the Borg, who will say “Thank you very much. Resistance is futile” and a legend will be born.

But I get ahead of myself. That’s what happens when you let your clones run free. The forcefield Q throws up bears a staggering resemblance, does it not, to a web in which Kirk’s ship got trapped in, woven by some Tholians? Oddly enough, Picard’s main worry is the “damn noise” of the red alert. Well yeah, captain: that’s what it’s supposed to do, alert you. Wouldn’t be much point if it was silent, would it? Q fancies a takeaway, but a frozen Indian? Never heard of that one. Hey, never realised that before! The guy’s name is Lieutenant Torres. Anything to B’elenna, chief engineer and gigantic PMS pain in the arse from Voyager?

Now, help me out here. Q tells Picard, in the guise of an army general and talking about commies - so presumably we’re talking twentieth century here - that four hundred years prior we were killing each other over tribal gods. Well, correct me if I’m wrong, but four hundred years back from the twentieth century gives us the sixteenth, and I think men were fighting over more than tribal gods then. War of the Roses? Agincourt? Crowns and kings and thrones? Wanna do a little more research on your history there, Gene. Oh, and I would also remark that Q mentions that humanity “progressed” to the point where they controlled their military with drugs. Isn’t this how the Dominion controlled the Jem’Hadar in DS9, through the Vorta? Coincidence? I wonder.

First speaking part for Worf, and in fact first speaking part for a Klingon in the brave new world of TNG. The lion’s share of the dialogue has certainly been given to Picard, that’s for sure, though Q is matching him well. Probably why he looks so annoyed. Not quite so much though as when he mentions “prosecute and judge” and Q grins “What a great idea!” No doubt he thinks “Fuck! Me and my big mouth!” Advice from his crew tends to recall the Spanish Inquisition. Worf says “Our only choice is to fight!” while the never-liked-and-soon-to-be-dead-though-not-soon-enough-for-me Tasha Yar adds “Fight, or try to escape!” Picard must surely think, “Um, that’s two choices.” So we have “Our only choice is to fight. Fight or try to escape. Two choices. Our two choices are to fight, or try to escape. Or (in Picard’s words) contact the Q (not a good idea, says Troi). So our only choice is fight. Fight or try to escape. Two choices. Our two choices are fight or try to escape. Or contact the Q. Three choices. Our three choices are to fight, try to escape or contact the Q. Or, turn tail for home. Four choices. Among our choices are…”

And when he says “the only other option is to tuck tail between our legs and go back to Earth” he doesn’t even take a vote! I bet Mr. Indian Frozen Guy would be for it. Go on Picard! Who’s for tucking tail? You, you and you? And you. I see. Well I’m captain and I’m damned if I’m returning this shiny new GALAXY CLASS starship back to space dock without a scratch. The other captains would never let me live it down. No, though it may be suicidally dangerous, and though we may, in the end, come close to dooming all humanity after seven years of warping through the galaxy sticking our noses in where they’re not wanted, I say we - try to outrun it! Yes! That’s the last thing they’ll be expecting! Sigh. So, among the choices open to us are: fight, try to escape, contact the Q or outrun it.”

In perhaps the most pointless display of pointlessness ever in Star Trek until someone unwisely suggested Voyager should have its own in-house cook, Picard considers separating the saucer section. Data is asked how dangerous is it, but perhaps may not have heard the question properly, or as a human would anyway. “Oh easy peasy Captain” he doesn’t say but could and should: “The saucer will be fine. It’s made to sep - oh. Hang on. You don’t mean the humans inside it do you? Ah. Well there you see you have a problem. You guys are so soft and squishy - I constantly have to be careful shaking hands in case I crush your fragile bones. Hmm. No. No I don’t think it would be a good look for Starfleet, would it, hundreds of you lads tumbling out into space? I mean, you can’t survive in space like us - well, that is, me, as I am, without question, the only android in this universe there is or ever will be and I definitely do not have a brother and if I did he would definitely not be evil. No, no, on balance sir, I’d say it’s a bad idea. I’d rethink it if I were you. Oh, you’re captain and you’re going to do it are you? Well, don’t come crying to me when they’re filling up the chapel with distraught relatives and asking what idiot thought splitting the ship in two was a good idea.”

Or something like that anyway.

But Picard, as we will find out, is no Kirk, and what he says goes. No underling will tell him what to do, and so the plan is set. I wonder if the saucer separation thing was insisted on by the makers of the later Enterprise models to be sold to fans? Look! Separates just like the real ship does. Um, twice, in the series. Completely idiotic. It can’t even defend itself. A massive glorified escape craft is all it is, and remember, a certain woman driver who shall remain nameless crashed the damn thing. You have to ask though: if he is completely omnipotent, why did Q have to wait to “make arrangements” for the court? Couldn’t he just have, you know, snapped his fingers and they’d be there? Are there forms to be filled in? Venues to be booked? Staff to hire? And let’s not forget the health and safety issues: those are going to be live weapons, people! The Q Continuum can’t afford another big fucking lawsuit! Seems unlikely, does it not? But there must be tension, and De Lancie probably had to go get a sandwich anyway I guess.

“Women and children first, you say?”

As Spock would say, fascinating. There appears to be a Vulcan on board, though he obviously put in for a transfer when he witnessed the illogical actions of Captain Picard, as he’s never seen again. He’s just in the one scene, not mentioned, never speaks, but unless he was in a freak accident with a combine harvester as a child, he’s definitely from the planet of logic. I suppose this was a weak attempt to pay some sort of vague homage to the pointy-eared star of the original series. It’s quite funny too how, when Worf is ordered to be a big yellow-bellied coward and command the sissy saucer section, in charge of a load of women and screaming kids, and maybe a few crewmembers who prefer escaping dressed as women to going into glorious battle, the changeover shows Worf leaving the helm, and another officer appears from a doorway and takes his place at his station. What do they have? A whole bunch of spare officers there, waiting to be called up when needed? What do they do in the meantime? Play cards? Listen to music? Paint? A holding area for spare crew - and this is a ship that hasn’t got its full complement, according to Picard! So why has he spare crewmen knocking around?

You have to wonder too: is Worf insured to fly the saucer section? I mean, do you imagine Picard had time before the ship launched to go through all the clauses in the insurance policy to see if a helmsman is legally allowed to fly part of the ship without the other part? That could be the end of his no-claims bonus. And what if he gets the saucer damaged? Surely Starfleet Command are going to want the ship back in one piece, the way they handed it over to Picard? Bit of an embarrassment if you lose half your ship on your maiden voyage! They’ll be calling him Piecemeal Picard. Oh dear.

  • either the stardate mentioned at the start (Captain’s Log etc) or the first time one is mentioned, if none is noted at the beginning. No other stardates mentioned will be used once there has been one already noted.

The separation sequence is as long-winded and boring as it sounds. It adds nothing to it, except that Picard now has Worf’s balls in his pocket, and the Klingon is not a happy bunny. Picture the worst ever family road trip you’ve been on, the one where the windows stuck closed and it was 90 in the shade, where traffic jams clogged up the road and grandpa had that dicky tummy. Then add in that your wife or husband was cheating on you, you knew it but could not prove it, they knew you knew but knew you could not prove it, and everyone pretended everything was fine. Now multiply by a factor of 1000. And you’re still nowhere close to how pissed off Worf must be. But not a millionth as pissed off as we were when Picard bloody surrenders! I remember turning to my late best friend as we watched this in his apartment in London for the first time ever and we both said the same thing: “Kirk would never do that!” And he wouldn’t. He’d find some way out of it, use his guile and expertise and Kobayashi Maru the hell out of that situation. And all with a cheeky grin. But Picard was not Kirk, as we were quickly learning, and he seldom if ever grinned. No, dour, stern, stoic grimness was Picard’s standard expression, and over seven seasons it seldom changed much.

“Can someone please get these bloody great snakes away from me?”

Interesting, again, that when the crew find themselves in Q’s courtroom, and Picard says it’s the late twenty-first century, the “Post Atomic Horror”, what do we see on the wall behind him? Why, unless I miss my guess that looks very much like the eagle of Germany! Oh how cliched! And everything is red and black. Duh. Funny when the judge (Q) arrives and the clerk tells everyone to stand up, half are dwarves, and I can imagine him going “You! Stand up!” and the dwarf going “I am fucking standing!” Heh. Also funny how surprised they all are when it’s Q who turns up as the judge. I mean, how many other omnipotent aliens who have warned them to go back home or face the consequences have they met recently? Some super over-the-top ham acting by Denise Crosby before she’s rightly turned into a Yarsicle. I note O’Brien has appeared, though he doesn’t rate a name, first or last, yet, and is referred merely to as “conn”. A good Irish name, that.

Here’s a thing though. The time period is said to be the late 21st century, and yet Yar speaks of living though this time; in later episodes she will talk of her attempts to evade “rape gangs” (quite a heavy subject for a science fiction show in the late 1980s by the way). So, are we supposed to believe this “Post Atomic Horror”, as Picard calls it, lasted over three hundred years? Into the 24th century? Or is Tasha Yar a mite older than her service record says? I find it hard to believe Earth was under this kind of “mob rule/anarchy” thing for three centuries! I mean, even the Dark Ages only lasted one or two. But maybe. I just wonder, is all.

Enter Riker, beardless and who has obviously been told that to act properly you must keep your legs apart as far as possible, and your arms should hang loose as if you were modelling for a later action figure, many of which will of course be produced and sold. The exchange between him and Zorn over the apple is an example, I think, of poor writing. He asks for an apple, and there are bananas and oranges and grapes, which he declines to take. For him it’s an apple or nothing. Then, when one appears, Zorn says “Yes, there was another selection.” Now, anyone in their right mind would say “Why in the name of Jim Kirk didn’t you say there was another selection? I’m gagging for an apple!” Not only that, but the “second selection” is nothing BUT apples! Doesn’t he think, “Fuck me, but you’re an idiot! You didn’t see an entire bowl of bright red apples right at your side? Do you need glasses or what?” But no; he just accepts it and smiles. Isn’t he a little suspicious? Where did the apple come from? Any snakes around? And what kind of title is fucking Groppler anyway? Sounds like something Kirk would be fighting in a disused quarry sorry on a desert planet. If this was the first time you’d seen this, you might be wondering what in Hell Zorn’s problem is with fruit, as he seems to be berating it after Riker leaves. Fruitist.

“Dave’s not here, man!”

What is Riker’s deal though? As we’re introduced to one of my crushes (sorry) he is told they are about to go shopping AND HE GOES WITH THEM! What man, given a choice, would actually decide to go with a woman on a shopping trip? He may have cause to regret that. Anyway, this then is of course the lovely Beverly Crusher, who will cause such a commotion in Picard’s regulation-issue Starfleet Y-fronts when he meets her, leading us perhaps to wonder if there was not some ulterior motive in his having sent her hubby off to his death some years before? Sadly, we’re also subjected to the youngest Wesley Crusher that can be found. I mean, Wesley was a cunt, at any age (though Wil Wheaton turned out to be all right in other roles) but as a - what is he? Twelve? - as a kid of this age, he’s just so insufferably annoying that you wish Bev had gone to the other clinic when he was due. You know the one I mean! He won’t get any better, and it won’t be till Starfleet Academy can no longer realistically refuse his application that we will be rid of him, so stand by for much annoyance, smug arrogance, and, unfortunately, brushes with death that never quite come off.

Hey, considering she’s just bought a whole bolt of cloth from that guy, does he look stoned to you? Doesn’t smile, doesn’t bow, doesn’t even move. When Riker realises the Crushers know his new captain, Wesley tells him “While I was little, he brought my father’s body home to us.” I’m sure Riker thinks “That’s weird. Usually it’s a football or an album or a book or something…”

Next up is Geordi. Hands up who liked Geordi? All those, huh? Not me. I mean, nothing specifically against him, but I was always bored by his character, and it was only his friendship with Data that brought, in my opinion, anything he did to my interest. Never quite got the visor. I mean, yeah, they want to show off how much science has advanced in the 24th century, but apart from a few episodes where it was useful, you know, what use is it? Just makes him look like one of Devo, if you ask me. If they had black members. This is the first time we see the new transport effect, and to be perfectly fair, they haven’t changed it much, have they? Still, Star Trek remains the only science fiction series, even now, so far as I know, to use personal matter transport, other than Blake’s 7.

“Excuse me? Excuse me? Sorry to bother you, but you haven’t seen, like, a saucer section around here have you? Some idiot’s only gone and taken it. I was only away five minutes! I don’t know, this sector of the galaxy, aliens coming over here, stealing our jobs, taking our women…”

Now let’s be honest here. The Enterprise looks sht without its saucer section, doesn’t it? It’s like, I don’t know, a 747 without the hump, or a big rig without its trailer. It just looks lost and sad and really uncomfortable, like it’s half naked. Riker has to watch a movie as soon as he arrives - I think he might give it two thumbs; the production values are shit but the costumes aren’t bad - and Picard uses the phrase “Make it so” for the first, but by no means the last time. We also hear that the captain’s office is now called the Ready Room, for some reason. I mean, like, ready for what? Kirk never had a ready room. Of course, Kirk was born ready, and conducted every decision from his chair on the bridge, unless he was displaying his manly chest in sickbay. But really: a ready room? What is this, the 24th century? Oh. It is. Carry on then.

You know, I get it. Picard is proving, or testing a point. But is it not a little reckless to order Riker to conduct a manual re-attachment of the big jaffa cake bit to the main ship? Like, sure, he can do it, but what if he fucks it up? It’s not like this is a simulation. If he chokes, people are going to die. Would Worf consider that an honourable death, I wonder? Well, he’d surely take the other part of the Enterprise with him, so maybe. The Klingon Empire would certainly be toasting him. Not at war with the Federation, you say? No, no: that’s just what they want you think!

(https://media.tenor.com/NkXUyQ_x2mgAAAAM/simpsons.gif[/img)]

Not to mention that Picard is also putting his own life, and that of the entire ship - saucer plus battle bridge (and who came up with that stupid name? What’s wrong with The Bit That’s Left?) - in danger. I mean, does he know Riker? For all he’s aware, this guy could have bopped the real William T. Riker on the head and taken his uniform, an escapee from a loony bin. Didn’t think about that, did you Picard? What if - oh. The ship’s back together. Almost as boring as when it split. Yawn. Why did Data ask “You mean manual, sir? No automation?” That is, after all, surely, the very definition of manual? I thought he was supposed to be smart?

Something occurs to me, to be serious for a moment. Is the separation of the ship supposed to be a metaphor for the fact that it has not its full complement, that its first office and doctor are on Deneb IV - separated from it - and that it will only be whole, and the series as a unit ready, once they all join up. If so, then that feeling is intensified and perhaps confirmed when it’s Riker who is the one who, quite literally, brings the ship back together, heals the rift, both in terms of his presence and of the return of the saucer section. Never thought of that before, but I wonder now is it some cerebral subtext the writers were trying to show? Okay, enough deep thought for now: back to the fun.

Questioning his new number one later, Picard asks “Captain’s rank means nothing to you, then?” And Riker says “Quite the reverse sir.” So Picard asks again, “Then you to nothing means rank Captain’s?” Riker must wonder how Yoda got on board. There is however a complete absence of gasps when Picard remarks that he’s not good with children. No shit. I bet children run screaming from him, seeing him as some sort of bald cross between Yul Brynner in Westworld and the Child Catcher in Chitty-Chitty-Bang-Bang! The first of many, many, interminable and stultifyingly boring rounds of technobabble as Geordi explains how visor works. We don’t care man. It allows you to see, but you’re in constant pain all the time? Doesn’t seem a great deal to me. Should have gone to Specsavers.

Now we get what is, to be fair, a pretty pointless cameo by DeForest Kelley as he reprises his role as Dr. McCoy for the last time ever. I mean, it’s touching, and I like when he says to Data “I don’t see no points on your ears boy, but you sound like a Vulcan.” We’ll get other cameos as the series progresses, though oddly enough perhaps no Kirk. He’s waiting for the movie, so he can take it over, as is his wont. Oh yeah, and now we get the AWKWARD reunion of Troi and Riker, and hear for the first time the telepathic thoughts of the former. I’m not sure they’ve mentioned she’s a telepath up to now, but I may have missed that while I was sneering over something else. Like her being the only one on board to have to wear a short skirt and boots. She doesn’t look happy about it. I’m sure she’s thinking “Am I nothing more than the eye candy here?” Sorry Marina, you are. I mean, Bev is great, but we’re all going to be watching your ahhhnd she uses the word Imzadi for the first time, which, though it sounds like a make of Japanese car, is in fact the Betazed word for “beloved”. Ahhh. How sweet. Picard is as good with body language as he is with kids, apparently, and fails to notice the smouldering sexual tension between them. Or maybe he’s just looking at her tits.

With absolutely no idea what they’re doing of course, the writers have Picard refer to the Ferengi as monsters. “Let’s hope they find you as tasty,” he tells Zorn, “as their past associates.” For we who now know what the Ferengi are, this is clearly a vague reference while Roddenberry and Fontana look at each other and shrug “Who the fuck are the Ferengi gonna be?” But it is funny. Give Siritits, sorry Sirtis, her due here: good acting when she tunes in to the brainwaves of the imprisoned jellyfish aliens. Oh sorry have I spoiled the ending for you? It’s only over thirty years old; maybe I should have been more careful. :roll_eyes: Oh hey, there’s that Vulcan again. I was wrong. Still no name or line for him though. And a dwarf. Oh no that’s just a very small woman, eyeline almost on Riker’s crotch.

Ah, the holodeck! This was great, no question. The idea was so cool, and of course would form the backdrop for many an inventive episode in the coming seasons. It’s where Riker meets Data for the first time, and where we hear that the android has a Pinocchio complex. We’re also shown how strong Data is, as he lifts Wesley with one hand out of the river, but sadly does not follow the instructions in his surname, and Wesley remains uncrushed. Boo.

“So your saucer section is bigger than ours! Size isn’t everything, you know!”

I’m slagging this off, just for fun, but you know, it is reawakening some nice feelings, reminding me of the first time I saw the series. Remember - as you probably do - this was the first time we saw a new Star Trek since the original. It was big, big news at the time and the possibilities seemed, and kind of were, endless. Seeing all the characters meet and talk about the things they’re going to do and the things they’re going to see takes me right back to when thirty was still a milestone some way off. 1987. My ma was alive, I was in work, Karen was well, Gary (my best friend) was alive - though not for long; he would die that year, money was relatively plentiful, Bill was in the White House and Covid was over thirty years away yet. All was right with the world. Video recorders were the big new thing and I rented my massive CRT Grundig 28 inch TV. AND I had hair. Sigh. Well, enough reminiscing I guess. Back to the show.

Sparks fly when Picard meets Beverly again for the first time in years, and you know, I’ve always wondered could Wesley be his? Probably not, but there’s a look passes between them, and Picard and Wesley, that makes me think about it. When the big alien ship comes on the scene and starts blowing the shit out of the old Bandhi city, Picard readies photon torpedoes, until Worf tells him the ship is not hitting Farpoint Station, just the city. “Oh, well that’s all right,” grins Picard. “As long as they’re not damaging the merchandise, nothing to do with us.” The fact that the ship is, as stated, more than twelve times their volume (surely that should be size? Who says volume when talking about starships?) might have something to do with his reluctance to defend the city, not to mention his dislike of Zorn. I know how you feel, Picard. Guy drives me mad with his free jazz experimental avant-garde music.

“Let’s try to take the sting out of this meeting, shall we? What? WHAT?!! Oh come on now, don’t be such a jellyfish! What??!!”

It’s pretty rich when Q arrives and sneers “savage life forms never follow even their own rules”: it was him who broke his own rules in the court scene. Not a great advertisement for a so-called higher race now, is he? Quite funny too when Riker stands before him, dirty and dusty with cuts and bruises on his face, and declares “Humanity is no longer a savage race!” He’s only short of adding “And if you say we are, I’ll club you and eat your brains!” Picard offers Bev a transfer, but she likes playing for Enterprise United. He says his presence will remind her of a terrible personal tragedy, and she’s surely thinking “Oh you weren’t that bad in bed, Jean-Luc!” Good old Bev: she’s the only one who can send Picard away with a flea in his ear, as she pwns him totally and leaves him muttering “I hope we can be friends?” She thinking “well okay but you’re not getting within a light year of my action again!”

It’s a bit humiliating to see Picard beg Q to help him and save his people, but then I guess he is human. Never noticed before, but the first scene and the last scene are both of Picard: making sure everyone knows he’s the star, eh? Shatner would be proud.

About Spock, didn’t he have children? What happened to them?

I forgot Nimoy was in Fringe. You sort of got the feeling he was too busy for that show. His appearances were brief and enigmatic and didn’t really amount to much by the end.

I see your taste in episodes runs to the ones that are outside the traditional formula of finding a new planet and solving their problem and is more about the individual character.

I guess mine does too. My favorite of TNG is The Tapestry. Picard has to have his heart replaced. He doesn’t tell anyone because he’s embarrassed how it happened. Q takes Picard on a journey back in time similar to The Christmas Story where he can replay his life differently. If he didn’t take the risks he had, he would have become a meek low-level officer. It’s a reminder that the good and bad in life define us. Taking away the bad parts would lead to a whole different life. Personally, I like the reminder.

My favorite of DS9 is the one where Sisko admits he did the wrong thing and is trying to justify it to himself by writing a journal entry to himself about it. Caught in a moral dilemma, he can’t even convince himself he was right. I like that DS9 didn’t trivialize the moral dilemmas and make everything about black and white, good and bad like TOS did. I like the formula in a general sense. It’s easy watching. But sometimes, it’s a good reminder that life isn’t that simple.

Kirk vs Picard – fictional characters aside because those are written for them, when I look at the character of the actors, Patrick Stewart wins it hands down. So many heartwarming stories about him. Maybe he just had a better publicist, but he just comes across as a nicer person.

Of the episodes that got the Wesley rating, I did like the 37s only because it played with the theme of afterlife. The doctor says of them, too afraid to live, too scared to die. Some existential angst there. It plays with the theme of whether you’d want to live forever if everyone else didn’t, in parallel to the Q theme of whether you’d want to live forever if everyone around did too. In both cases, Rodenberry gives that a no, a nod to his atheism.

Rodenberry’s atheism comes across as a bit strident and simplified at times in the show. But those were different times so maybe it was avant garde for the times.

I’m still catching up. I’m on the Emissary. I skipped the movies because I didn’t watch all of those or in order.

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And with that, here’s the first chart.

Obviously, there’s not a top ten at this point, as a lot of characters have scored the same, but as the series progresses we’ll see some rise and some fall, just like a normal chart. It may be interesting to see who does what. At the end of each episode retrospective I’ll slot the new character scores into the chart and see what changes are made.